This record is notable for a number of reasons including:
- It’s the first 7″ release on Creation Records, who of course went on to dominate and reshape the independent music scenes (feel free to argue that point among yourselves) and release records by Primal Scream, Jesus & Mary Chain, Oasis, Jasmine Minks, The Loft, etc…
- The Legend (often written with an exclamation mark – The Legend! – but nothing so jaunty on this record’s sleeve or labels) is Everett True aka Jerry Thackray, a fine journalist who’s been around for a long time, and who is himself notable in his own right for a number of reasons including:
- Championing Nirvana and the Seattle/grunge scene right from the start
- Launching the magazines Careless Talk Costs Lives and Plan B in the 2000s; both excellent magazines, both missed.
- Six – six – ‘players’ are credited on the rear sleeve, which is a surprising number if you’ve ever heard the songs. They’re certainly of their time, very sparse, worthy, student-politics-y and, well, pretty poor. Not really a repeat-player, this record, unless I’m feeling like punishing myself.
- It comes with a free flexi! This is the good stuff, really – a two-song 33 rpm flexi featuring charmingly naive and poppy songs by Laughing Apple (featuring Alan McGee, who of course ran Creation Records and Andrew Innes, who went on to feature in Revolving Paint Dream and Primal Scream) and The Pastels.
The design of the sleeve – a vaguely agitprop-looking and not altogether unpleasant layout – is credited to Communication Blur which was also the name of a fanzine run by Alan McGee in the early 1980s and, presumably, an alter ego for McGee as graphic designer. He’s also credited as one of the ‘players’ as well as getting a production credit here. Busy fellow. Starting as he means to go on, really, as throughout the lifespan of Creation Records he was pretty heavily involved with most aspects of everything.
Update 07/01/14: Thanks to Jerry/Everett for filling me in on a bit of extra detail to do with this record! Apparently the drums and guitar on the record were both played by McGee – the songs came out of a band that Thackray/True and McGee had together for a short time – and the sleeve design was in fact by Ken Popple, the drummer on early Biff Bang Pow! releases. There are lots more True-isms to be had at his excellent blog, The Electrical Storm.