Reading about a record that’s a limited edition, has handmade elements to its packaging, and that is somehow unique as an artefact, is always a way to find my interest piqued. So, my first record from Blank Editions, but the sixth in their ‘The Solo Series’ of releases that has also included records by Charles Boyer, Joseph Coward, Douglas Hart, Thurston Moore and Ted Milton, was meant to find its way to me soon after I read about it.
Yuki Tsujii is a member of ‘Japanese four-piece acid punk band’ (thanks, Wikipedia) and on this 7″ record gives us two parts of ‘I’m Rubbish But I Love You’, an organic drone piece/field recording construction that sounds equally pleasant at 33 or 45 rpm. At 45 – which I think is the correct speed – it’s a concise, shimmering piece, somewhat akin to Library Tapes being played on the other side of a forest; at 33, it’s additionally eerie and (obviously) more lingering.
The packaging – presumably the work of David Santiago Blanco, one of the two people behind Blank Editions, who is also a designer – is a combination of ‘pro’ and handmade. Professionally-printed labels on the record, a printed wraparound tracing paper image on the sleeve coexist with a photocopied additional wraparound and a hand-stamped envelope which purportedly contains a leaf taken from a Hackney park. (I’m not sure about the latter; I didn’t open the envelope yet).