After many months of living with a jumbled record collection, I finally organised everything into alphabetical order over the past couple of days. (LPs, 12″s and 10″s, at least – the 7″s can wait until another time…)
Part of this process inevitably meant reminding myself of records that I forgot I owned, or that I had no previous recollection of owning. This double album is an example of the latter – I’ve got no idea when I bought it, or from where. Not that that means much, as I’ve a Swiss cheese-like memory; but the record’s date of issue (2006) means, I guess, that it entered my life at some point during the past seven-or-so years.
Compilation albums – which are, of course, in a separate section to the main A–Z stream of my newly-alphabetised collection – are interesting things. The way I listen to them tends to mean I gloss over the individual artists and musicians involved, and instead lump the whole thing together and attach a broad-brush ‘feeling’ to the record. The feeling attached to The In-Kraut Vol. 2 (at least now that I’ve given it a couple of listens to refresh my memory) is one of nostalgia for heady Easy Listening-drenched days in the mid-to-late 1990s. Obviously this record came out later, but it’s still packed full of (mainly instrumental) fuzz guitar/organ freakout/funky/library music/soundtrack/comedic/’jolly and optimistic 60s/70s attitude’ in its twenty songs.
The rather questionable compilation title at least does the trick of summing up its subtitle, ‘Hip Shaking Grooves Made In Germany 1967–1974’. To be honest, the source of the recordings is pretty moot, as this type of music sounds the same regardless, except for in the case of a couple of songs here with German-language lyrics which have, at least, a kind of bizarro charm.
For those that might be interested, the artists featured are:
- Paul Nero
- Hugo Strasser
- Christer Bladin
- Ambros Seelos
- Tommy Haggard Orchestra
- Hazy Osterwald Jet Set
- Charly Antolini’s Power Dozen
- James Last
- Mary Roos
- Klaus Weiss Orchestra
- Hildegard Knef
- The Dometown Gang
- Rolf Wilhelm
- Joy & The Hit Kids
- Dieter Reith
- Carlos Fendeira
- Kai Rautenberg & Orchester Jürgen Ehlers
- The Inner Space
- Uli Roever
- Hase Cäsar
Not too many well-known names in that list – for me, anyway – except for James Last, who is in fact German, despite his records routinely popping up in UK charity shops for the past couple of decades.
The artwork for the record, by Stefan Kassel, is pretty standard Easy-Listening-Compilation-Sleeve stuff, but a nice example of it – well-chosen, happy-looking female fashion photographs on a simple block colour background, plain and simple typography, and a splash of excitement in the front cover’s bottom left German flag-referencing concentric circles. It’s a gatefold sleeve, and opening it reveals an aspect of this compilation that’s rare in the field – detailed liner notes on each of the tracks it contains. Good work! The records are also pressed on white vinyl, which affords them a stylish mod sensibility.