Charles Hayward was a founding member of This Heat, who released some of the best and most inventive records of the late 1970s and early 1980s – which is saying something, as there was a lot of inventive, good stuff going on at that time. I first heard This Heat when their track ’24 Track Loop’ turned up on a compilation that I was hearing in somebody’s car; it sounded so otherworldly yet mindbendingly modern – bearing in mind that I was listening in the mid-2000s, rather than the late 1970s – that I rushed to hear more and to source This Heat records.
Anonymous Bash was released very recently by Samarbeta, and is the result of their first experimental residency programme, described thus:
“The Samarbeta residency program is an innovative way to progress and encourage the production of new and adventurous music and encourages musicians to come together and collaborate. The outcome of the residency is entirely flexible, it could be a new work, an identity, a visual project, the discovery of a new instrument, a collaboration, a live show and everything in between.”
As it’s new to me – the record only arrived yesterday – I’ve yet to give it more than a quick listen; but on that first taste it appears to share the This Heat trait of exploratory rhythmic progression, of vaguely post-punk sounds occupying an awkwardly danceable stage. The players list mentioned on the release’s Bandcamp page includes mention of all kinds of exciting instrumentation including bombo drum, bata drums, feedback tape delay, flute and sax; so it augurs very well.
The album package itself (in its limited ‘handmade’ edition) is a joy to behold. Hand-assembled and hand-finished, it folds out three ways to reveal the record within, with the left and right opened panels holding two printed card slots into which a variety of extras have been placed. These extras are an eight-page booklet explaining the residency project; a DVD (which apparently contains some ‘making of’ footage); and a download code card. There’s a stamped slogan: “Hand Made Not Machine Made” above the unique edition number – mine is 011 of 150. The design is credited to John Powell-Jones, a Manchester-based illustrator, artist and screen printer: he’s done a fantastic job.