Records, design and thoughts. Simon Minter is a freelance designer from Oxford, UK.
A long time ago, before the existence of Discogs*, I kept notebooks. In those notebooks I used to write down details of records and releases that I’d heard about, liked the sound of, and wanted to get, along with others that I felt I should get to augment my existing collection. I used to be […]
“Good old Riot Season…”, to paraphrase an old Yellow Pages television advert. “They’re not just there for the bad things in life”. They are there, though, as a relatively frequent, always reliable source of all things noisy, heavy and ‘out there’, with a previous release list that includes names like Hey Colossus, Shit And Shine, Aufgehoben and Acid […]
As seems befitting for a release by the “influential, yet reclusive Japanese avant-garde band” Les Rallizes Dénudés, this double album – the first from the band in my collection – provides few hints in its packaging to what it is, who released it, when it was released or what it contains. Indeed, except for a series of […]
I’ve mentioned before how I have a few ‘go-to’ labels that I’ll tend to buy all new releases from – ones that have proved themselves enough in terms of consistency and quality to pretty much have me opening my wallet instantly upon receipt of a ‘new release’ email. Deep Distance – an offshoot of The […]
I bought this two-album set very recently, after discovering the outstanding weirdo noise outfit Anthroprophh and taking myself on a Spotify-led journey through various releases and connected bands. After being somewhat blown away by the sounds on this compilation when listening online, I read that the physical release came on spattered clear/black vinyl and featured […]
There’s rather an air of mystery surrounding many aspects of this split 7″ single, pressed on white vinyl. Karen Novotny X is not an individual but a band; they take the A side and spin at 33 rpm. According to the notes on this record’s insert, their track was recorded in East London between winter […]
After many months of living with a jumbled record collection, I finally organised everything into alphabetical order over the past couple of days. (LPs, 12″s and 10″s, at least – the 7″s can wait until another time…) Part of this process inevitably meant reminding myself of records that I forgot I owned, or that I […]
Strange one this, as it represents a certain watershed moment in my music writing/reviewing life, rather than being a record that I have any deep affection for (or, indeed, any recollection of what it actually sounds like, beyond vague noisy pop-punk memories). In the very early 1990s, inspired by the indie-pop scene and some very […]
This is a great album and one that I listened to very regularly soon after its release. I was a big fan of Boyracer in the 1990s, as they bridged a gap between the indie-pop and the noisy weirdo music that I was simultaneously listening to a lot of at the time. They were more […]
Groovy packaging on this record. I’m a big fan of the use of transaparency and opacity effects in design, especially when it’s used to mess with your mind a little bit. Not sure that it’ll come out in the photograph, but the sleeve contains a clear insert with green lettering. This lettering is arranged with […]